|Okimono or sculpture
in the form of a branch of flowering spider chrysanthemum. Of cast and
patinated bronze. Signed on the reverse with a chiseled signature by
the artist: Joun Saku or Made by Joun (Ōshima Joun, the gō
or art name of Ōshima Yasutaro, 1858 – 1940). Early Shōwa era,
circa 1928 – 1930.
With the tomobako or original box, signed on the reverse of the lid by
the artist: Ichijōken Joun Saku or Made By Ichijoken Joun, and sealed:
Joun no In or Seal of Joun.
Ōshima Joun was a professor at the Tokyo School of Fine Art from 1887
until 1932, and he was famous for his great skill in bronze casting.
Born to a family of metalworkers, Joun succeeded to the family business
in 1877 and the same year adopted the art name “Joun.” By
1879, he had built up the business to the point that he had 11
assistants working in his studio. Much of his work from this time
period was sold through high-level commissioning houses such as Honda,
Sanseisha, and Murakami Heishichi. He exhibited at the 2nd National
Industrial Exposition in 1881, and at such international venues as the
Paris Exposition in 1900 and the London Japan-British Exposition in
A vase by Ōshima Joun is illustrated in the catalogue from the Museum
of the Imperial Collections, Reappraisal of Meiji Art I: The era of
Meiji Bijutsu-kai and Nihon Kinkō Kyōkai, number 33. Another example of
his work is illustrated in Meiji no Takara: Treasures of Imperial
Japan, Metalwork Part II, number 102.
For other examples of Joun’s work, c.f. also Kagedo’s
catalogues Breaking Light, numbers 26 and 29, and Yūkei, number 85.
This is an extraordinary example of metal casting and a masterpiece of
Joun’s work. All of the long, curling petals, and leaves were
cast together at once. A very similar spray of chrysanthemum by Joun in
the Imperial Collections is illustrated in Grace, Beauty, and Ingenuity
– Masterpieces of the Museum of the Imperial Collections,
Sannomaru Shōzōkan, Volume 2, page 97, number 85, which is dated to
5” high x 10 ¾” wide x 7 ¼” deep.